古典音乐欣赏入门(二)

写下这个题目确实让笔者为难，不过要继续往下谈又绕不开。没有办法，只好硬着头皮上场，在此特地申明，本人的观点仅代表本人，你可以赞同、反对，甚至可以打倒，但最好不要全信，否则被误导了不要来找我：P。各位都是斯文人，反对的时候最好动口，实在不行动手也行，可不能打脸^o^
哆嗦完毕，进入正题，久等久等。
首先是对古典音乐的态度问题，各位感兴趣的兄第们要作好思想准备了：听古典乐绝对不是种轻松的享受，而是非常累人，还当相耗费时间！（那位同学，不要往外溜，有点耐心好不好，给个面子行不行。嘿！说你呢）尤其是一开始，或者是听某些作品时，你必须集精会神，全心全意，什么都不要想，什么也不要作（这也许是许多人把古典乐叫严肃音乐的原因吧），当然听着听着睡着了也不行（当然，当然你听熟后把它当催眠曲听也可以，想当年笔者就把古典乐当催眠曲听过，真是浪费天珍）。但是你一旦听进去了，它就会变成一种无比的”享受”（在这里的享受和我们所理解的享受不一样），这种”享受”还真不是流行或人声或轻音乐能比的。以至有一天你认为除了古典音乐外，其它音乐只能算是种”悦耳的声音”而已时，你就算真正的”中毒（入门）”了。笔者老认为，听古典乐和吸毒差不多（不要瞪着双天真无邪的X10倍的大眼看我，笔者经常把吸烟也叫作”吸毒”的，呵呵）。就算这样，听古典乐也很累的，笔者也只有在大学时听得多，现在也很少听了—主要的原因：一是因为心景和大学时已经不一样了；二是咱们一直没有一套像样的音响；三是环境太吵了，深圳这边，唉；四是咱们到现在还没有一套”蜗牛的家”，唉，悲惨人生啊！
笔者的建议是：买来一张好古典音乐CD后，选一个夜深人静的夜晚，一个人关了灯来听（跟看恐怕片差不多）。最好先焚香沐浴（夸张，夸张^o^），最少也要把咖啡或茶先冲好（烟民要把烟准备好）。当然你家如果隔音很好或环境很安静那就无所谓了（不过要告诉笔者，我好厚着脸皮过来听）。还要把心情调整得跟你要听的音乐内容差不多（这个难度很高，不作硬性要求：P，因为过了会儿后你的心情会跟音乐差不多了）。总之，就是要做得隆重些，须知，你所听到的几十分钟，作者可能是花费了数月甚至数载的精力才写出来的。而且，听古典乐作品第一遍是最重要的，最初的印象通常会决定你对这部作品甚至这个人的感觉。只有象伯拉姆斯的作品往往只有在多次听后才会得到更好的感觉。而如象门德尔松的《e小调小提琴协奏曲》，第一次的感觉是最好的，笔者当时简直迷上了刚开始的那一小段。但这一小段一过，很快就让人觉得很腻味、很无聊了，他的第四”意大利”也同样如此。
另外有一句话不得不说：有人说什么听古典音乐会陶冶情操那是放P！笔者专作各种”陶冶情操”的事，如：听”高雅”音乐、下棋（围棋最好时有业余初段以上的水平）、摄影（有兴趣者我们可以单独讨论切磋）、绘画（只爱看，水平极臭），可情操绝对高雅不到那里去。想那些音乐家们，大部分心理都有问题，很多情操也有问题（如瓦格纳），你听他们的音乐也能从此变为一个高尚的人？开玩笑！有人听了古典乐后变得很”高雅”，依笔者之见，那是附庸风雅，变得很内向和敏感倒是真的。因此，同学们，千万不要勉强自己，不想听时就别听，没兴趣就不要去找罪受（咱们就是小家碧玉，谁管得着）。不过你要去附庸风雅一番，也总比不听的好，我们也欢迎得很。想笔者当年，开始也有此意，只不过渐渐真正喜欢上了而已，后来也经常被人说成附庸风雅，于是笔者反驳之：…………（此处省略X万字洋洋大文） 卡！走神了，走神了，不好意思，继续go on。
在褒音响时，你可以把相关的书及文章和CD的简介都好好的看一看，把作者的传记中这一段也看一看。然后把CD放进去，把音量调到合适位置，再把灯关了，集中注意力，好戏上场了……
为了不让各类同仁笑话，笔者先选自己较熟悉的老柴的第六稍作解说，讲粗些，讲细了是误导你。并且说明，此解说版本杰子版权所有。还是那句老话，不要全信，说得不好不对的地方请坚持已见。
在一开始时，你将会听到一声沉重的叹息，这个叹息的主题从开始一直贯穿了大半个乐章，中间是甜美的回忆的安抚。随着这一声叹息，作者的心情开始变得激动起来，心情翻滚的高潮时，铜管乐器奏出一个组响亮的强音主题，这也是叹息的一个变形（你的心情是否也激动了，没有激动的同学请举手。呵呵，刚才举手的同学请写一千字，不，五千字的检讨，其它同学继续听），甚至到了一种歇斯底里。然后，弦乐以温柔的弦律安抚作者激动的心，仿佛作者在回忆自己的失败后又想起的自己成功的地方，安慰自己还是成功的一生。然而，心情却又不自觉的开始激动，最后，失败与成功交溶到了一起，乐队弦乐以激动的心情齐奏出安抚的主题，并逐渐变弱，至到变为pp到消失。…………… 突然间，一个最强音被乐队齐奏了出了，作者刚平息的心情重新变得更加激动，木管乐器的尖叫声音中，乐队奏出抗争的主题，反复的重奏后转到铜管乐器（大号吧）上去，再次变弱。弦乐以温柔的声音接了过来，马上发展成激动的安慰弦律，再逐渐变得温柔起来。一支长笛奏出了安抚的主题，逐渐转移给全乐队。在尾声中，弦乐组以拔弦的方式奏出另一个下行的失败主题，铜管乐的安抚声逐渐变弱，作者心情终于平静。
在摇曳不稳定的5/4的节拍中，乐队以极富有歌唱性的甜美弦律，轻轻的奏出第二乐章的主题。在被管乐和弦乐器反复后开始重新变得激动而略带忧伤，但甜美始终到这个弦律结束，中间以弦乐组的拔弦承接。然后乐队在各个声部由各种乐器奏出另一个看起来像失败和激动的悲观失望的主题，音型很简单。定音鼓不停的敲击着，乐队不停的在激动与平静中反复最初甜美的弦律，再在弦乐与木管乐器间的反复，在接力中变弱并结束了这个乐章。
第三章中抗争和努力的主题一直反复，越来越坚定和有力，定音鼓也越敲越果断，然后变得逐渐激动并显得渐渐有些像无奈的反抗，与其说是抗争，不如说是在命运之神的折磨之下的挣扎，仅管表面听起来是越坚定和有力（误导，误导^o^）。最后在定音鼓的强音中轰然倒塌。
为什么笔者认为第三乐章中主题虽然越来越激动和有力却像无奈的反抗呢—第四乐章一开始老柴自己暴露的。一开始，绝望就围绕了每一个听众的心，像一座墓场，绝没有一点希望。仅管作者多次抗争，反复安慰自己，但绝望始终无法消失，最终统治了一切。老柴仿佛自己给自己挖了一个坟墓，最后不顾乐队和自己的哭泣，把自己填了进去，和这个作者认为没有一点希望的人世告别（在第六失败的首演后几天，柴诃夫斯基染上霍乱，而且几乎是故意的，离开了人世）。
下面来谈版本问题，但是在谈这个话题之前我们要先讨论讨论柴诃夫斯基这个人。为什么笔者总认为各位同学们要有相关的书籍呢（而且多多益善），因为只有这样你才能了解柴诃夫斯这个人，你才能有自己心目中的第六，你才能找到自己认为最好版本。如果你的是喜欢什么”高音华丽”、”定位准确”、”中音纯厚”、”低音有力，下潜很深”的版本，这样的同学建议到隔壁音响班去旁听去。在这里笔者只有再”误导”一次了。
柴诃夫斯基是一个非常矛盾的人，感情丰富（说白了就是多愁善感），极其敏感和脆弱，甚至到了神经质和变态的程度。柴诃夫斯基并不是一个奔放的人，俄罗斯民族的奔放性格，在老柴身上是没有的。他更多的是一个较内向的人，但心态却并不收敛（很奔放哦）。同时他又是一个较优雅的人，在音乐上是以俄罗斯和西方（这里主要指德奥一系）的特征各有一半的人—他是俄罗斯学院派代表人物。因此，柴诃夫斯基首先是世界的，其次才是俄罗斯民族的，这一点和俄罗斯强力集团有区别。在写第六时，作者确实也非常失意（主要是他终生的挚友梅克夫人的绝交害的），而且目睹了许多朋友、老师、亲人（他最亲爱的妹妹）等纷纷离开人世。因此，在这部交响曲中的绝望是真实的，老柴在这部交响曲中确实看透了生与死，但他却不让听众得到解脱。对比他的第5，第5更多的是柴诃夫斯基的忧郁和感伤的写照。
因此，笔者认为：第六的第一乐章应该富有戏剧性，带有强烈的对比，速度不应过慢；第二乐章更多的是抒情，不能太快；第三乐章也不能太快，一个54岁的老头，抗争不能太强；第四乐章应较慢，对比强烈，最终的乐句要真正的绝望。好了，接下来我们对比卡拉杨指挥柏林爱乐与尢金.奥曼迪指挥费城的两个版本。第一乐章，费城为18分，而卡拉扬的为18分22秒，仅管只多了22秒，然而那种戏剧感的减弱却可以听出来，同时，德国人的严谨使乐队始终不如费城放得开，这也削弱了乐队的表现力，这里卡拉杨输了一着。第二乐章，卡拉杨版本为9分2秒，而费城为8分14秒，在这里，卡拉杨注重的是抒情性，而奥曼迪注重的是歌唱性，这里卡拉杨略有小胜，但以前笔者喜欢的是歌唱的老柴，所以反而喜欢费城。第三乐章，卡拉杨是8分26秒，而奥曼迪是9分18秒，也许是演奏贝多芬习惯了，第三乐章在卡拉杨手中变得非常有力，而到了奥曼迪手中却稍有些软弱，以前笔者年青，喜欢卡拉杨的这一乐章，现在看来，奥曼迪赢了。第四乐章，奥曼迪是10分55秒，而卡拉杨是9分53秒，明显快了好多，这一乐章的绝望在卡拉杨手中是不彻底的，而奥曼迪在一开始就抓住了你，那是一种深深的绝望，最后乐章在低音中消失后也能让你久久不能平息自己的心情。这就是为什么笔者会在上文中推存费城的版本的原因。德国人是无法理解这种感情的（或理解得不深刻），而与老柴同为东欧人的奥曼迪理解得更好。至于美国人伯恩斯坦在第四乐章中也没有完全表现出老柴的绝望，他的速度介于卡拉杨与奥曼迪之间。至于录音，听卡拉杨用的是CD，音质自然比用磁带的奥曼第好，而且CD的声音发硬也很影响笔者的理解（没办法，我的烂音响）。如果用LP是否好一些呢，我不知道。
好了，听完沉重的第六。下面听一曲轻松的《意大利随想曲》，对比着听，这次比较的又是卡拉杨的版本和奥曼迪的版本。
总的来说，柴诃夫斯基写这部作品的心情是轻松和愉快的—当时正逢意大利的狂欢节，而老柴又正处于得意中，还在享受异国情调（羡慕，羡慕）。因此，这部作品中任何要反映老柴的收敛和忧郁的一面都是我们要反对的（同学们跟我一起高呼：打倒沉重的意大利随想曲！）。在这里，费城乐队一改第六中的发暗的音色，以”费城之声”特有华丽辉煌与明亮灿烂的音色，轻松的表现了意大利人们的狂欢心情，真的是有些载歌载舞的感觉。老柴在这部作品中调动全乐队的各种色彩来表现，而费城很好诠释了这部作品。录音嘛，索尼的录音师可能有些夸张了乐队的色彩，使三角铁与铃的音质得到了很好的表现（说句大实话，笔者从没听过比这个版本中更响亮和灿烂辉煌的三角铁与铃）。相比来说，卡拉杨的版本就稍收敛了些，音色也没有费城的好。多年以后，当笔者再次拿出当年的听得音质下降得不行的磁带在一台只值180元的录音机上（经过小小的摩机）听时，仍为其中响亮的高音惊叹不已。要知道，同一盘磁带上的第六音色就不知暗到那里去了。所以笔者大力向广大爱好者推存奥曼迪的版本！绝对的好版本，真是居家旅行、杀人（音响）越货之必备良CD！！
讲到这里我又得说，下课了，下节课我们继续讲。喂，喂，不要抄我的解说，什么，你要拿回家去边听边看（拜托，不要这么崇拜我，我会觉得不适应的：））。等等，你是否忘记了本人在上堂课讲的名言了吧。罚，罚抄上堂的Jize名言1000遍！呵呵！




Wrote on the subject the author has given embarrassed, but went on to talk about it around does not open. Have no alternative but had to play, in this specially stated that I represent my point of view, you can agree with, oppose, or even down, but preferably not to the entire letter, or else come not to be misled me: P. You are gentle people, opposed to when the best move I really can not do it also, can not fight face ^ o ^ Shaking finished entering the subject, waiting waiting. First of all is the attitude of classical music, you are interested in the first brother had to make ready the idea: to listen to classical music is definitely not relaxed enjoyment of species, but very tiring, but also when the phase time-consuming! (The Student, not to slip out a little patience are good, not give a face-saving trip. Hey! Say you do), especially one start, or listen to certain works, you will need to set precision God, wholeheartedly, everything not to think, what is also not to make (this may be lot of people are put solemn classical music called the reasons for it), of course, fell asleep听着听着too (of course, of course, after you listen to it when cooked lullaby can also listen to , then I think they listened to classical music when the lullaby is really a waste of Tianzhen). But once you get to listen to, it will become an unparalleled "enjoy" (here we understand the enjoyment and the enjoyment of not the same), which "enjoy" is not really popular or the human voice or soft music than the . Do you think there is even a day apart from classical music, other music can only be regarded as kinds of "sweet voice" only when you really even if the "poisoning (entry)" the. I think the old, listening to classical music and drug abuse is almost (not to stare at two-times innocent X10 Seeing my great, I often put smoking also called "drug" and, huh, huh). Even so, listening to classical music is also very tired, and I also heard only at many universities, but now they rarely listened to - the main reasons: First, because the heart when the King and universities have been different; Second, we have not a decent sound; three are noisy environment, the Shenzhen side, alas; four are we up to now does not have a "snail's home," Oh, tragic life, ah! The author's recommendations are: buy a good classical music CD after a night of election night, a person close the lights to listen to (with the film look almost afraid). A good idea to bathing incense (exaggeration, exaggeration ^ o ^), at least make coffee or tea first red good (cigarette smokers should be ready). Of course, if your home or environmental noise is very quiet and very good it the Do not care (but to tell the author, I have the cheek to come to listen to). Would also like to put feelings得跟you want to adjust the music to listen to almost (the degree of difficulty high, not to impose upon the: P, because after a moment will be after your heart with music almost). In short, we should have done a grand more, bearing in mind that, you have heard dozens of minutes, the author might be to spend a few months and even before the energy contained in written. Moreover, the first pass to listen to classical music are the most important, the initial impression that normally you decide on film or even the feeling of the people. Only works as伯拉姆斯often hear many times will only get better feel. And as such as Mendelssohn's "e minor violin concerto," first impression is the best, I was simply hooked on just a small beginning. But a short one, and soon people腻味feel very, very boring, and his fourth "Italy" is also the case. In addition there is a word has to say: Say someone what to listen to classical concerts that are put to cultivate sentiments P! I specifically designed for a variety of "mold character" things such as: listening to "refined" music, chess playing (Go the best early stage when there is more than an amateur level), photography (there is interested we can learn a separate discussion), painting (only love, the level of a very smelly), may be less than elegant sentiment definitely go there. Think of those musicians, most have psychological problems, there is also a lot of character questions (such as Wagner), listen to their music you can then become a noble person? Joke! Someone after listening to classical music has become very "elegant", according to the author's view, it is附庸风雅, become very introverted and sensitive it is true. Therefore, the students, do not just themselves, does not want to listen on the other to listen, not interested not to go on罪受(we is小家碧玉, who管得着). However附庸风雅you want to go about it, also did not listen to is better than good, we are also very welcome. I think that time, there is also beginning for this purpose, but gradually on the only really enjoy, but later people often say that附庸风雅, so to refute the author of: ... ... ... ... (here ten thousand words omitted X lengthy Dawen) card! Follow God, and follow God, and I beg your pardon, continue to go on. At pao audio, you can put the relevant article and book and CD are a good look at the brief introduction, the author's biography in this period also take a look at. Then put into the CD, put the volume to a suitable location, and then把灯关, and focus on the Showtime ... ... Tongren in order to prevent all kinds of jokes, I first selected the more familiar老柴own sixth little explanation of some rough talk, talk about the fine you are misleading. And show that this explanation version of Alan son of Copyright. Or an old phrase, not to the entire letter, to put it not wrong to insist has places please. At the beginning of one, you will hear a heavy sigh, the sigh of the subject from the beginning has been more than half of cross-movement, between the memories are sweet to appease. With the sigh, the author's feelings start to become agitated mood rolling climax when a group of brass instruments to play loud sounding subject, this is a sigh deformation (whether you feel excited, not excited The Student please raise their hands. Oh, just a show of hands please of Student Writing thousand words, no, a thousand words to review, and other classmates to continue to listen to), and even to a kind of hysteria. And, gentle弦律String to appease the author's heart agitated, as if the author recalls the failure of their own and then think of the place of its own success, comfort or success of their own life. However, they do not consciously feel the excitement begin, finally, failure and success of cross-dissolving into account together with the band String Ensemble emotion out to appease the subject, and gradually weakened, until to disappear into pp. ... ... ... ... ... Suddenly, a band was the strongest voice of the ensemble out, just calm down the feelings of the author to re-become more excited, screaming woodwind sounds, the band play the theme of protest and repeated after the turn of the Trio to the brass instruments (tuba bar) to get weaker again. String to gentle voice took over and immediately developed into exciting弦律comfort, and then it gradually becomes gentle. Play the flute to pacify one of the subject, and gradually transferred to the whole band. At the end, the string sections to pull strings to play the way down the failure of another subject, brass appeasement gradually weakened voice, the author finally calm mood. Unstable at swaying 5 / 4 beat, the band has a very sweet singing of弦律, gently play the second movement of the subject. At Wind and string instruments were repeatedly re-start after becoming agitated, somewhat sad, but always sweet弦律to this end, middle to pull strings Strings Group to undertake. And the band in various voices, from a variety of instruments to play looks like another failure and despair exciting theme is very simple ostinato. Timpani Percussion kept the band constantly excited and calm at the first sweet repeatedly弦律, and then at string and woodwind between repeated, in the relay and end in weakening the movement. Chapter III the theme of struggle and hard work has been repeated, more firm and strong, the more knock Timpani more decisively, and then gradually become excited and appear gradually like some helpless to resist, not so much a protest as it is at the fate of God struggling under torture, only possession of the surface sounds are more firm and strong (mislead, misled ^ o ^). Finally at the sound of strong Timpani fall. Why do I believe that although the third movement in the subject more and more exciting and powerful like helpless to resist it - the fourth movement one老柴start their own exposure. 1 start, despair surrounding every audience's heart, like a tomb of the market, and there was no hope. Despite repeated protests author repeatedly comforted himself, but despair has never been able to disappear and eventually rule everything.老柴seemed to give their own digging a grave, the final regardless of the band and their crying, put himself into the filling, and the authors do not think there is some hope of the world say goodbye (at the premiere of the sixth after the failure of a few days, Chai blame Cardiff Karpinski infected with cholera, it is almost impossible intentional passed away). The following version of problem talk, but discuss this topic in the discussion before the discussion we must first blame his firewood this person. Why do I always thought that the students do have the relevant books (and多多益善), because the only way you can blame Coffs Chai know this person, you can have their own eyes the sixth, you can find the best version of themselves think. If you enjoy what are the "treble gorgeous", "positioning accuracy", "Chun Tenor," "powerful bass, a deep dive" version, such recommendations to the next sound classmates go to attend classes go. Here again the author only "misleading" once. Chai blame Malinowski is a very contradictory person, the feelings of the rich (say white is the sentimental), extremely sensitive and vulnerable, even to the degree of neuroticism and metamorphosis. Chai is not a blame his imaginative people, the Russian nation's unrestrained personality, who are at老柴not. He is more a more introverted person, but the mentality does not converge (very unrestrained Oh). At the same time he is a more elegant people, in music is based on Russia and the West (here mainly refers to the Department of Dondoux 1) the characteristics of each half of the people - he is a representative of the Russian School. Therefore, his first diesel-blame are the world, followed by the Russian nation, it and Russia have strong differences between groups. Writing at the Sixth, the author is indeed also very frustrated (mainly his lifelong best friend of Madame von Meck Dear John harm people), and witnessed a lot of friends, teachers, family members (his most darling sister) were all from Open world. Therefore, in this symphony of despair is real, at this symphony老柴indeed seen through the life and death, but he does not allow the audience to be freed. Contrast his paragraphs 5, 5 more are firewood blame his melancholy and sentimental portrayal. Therefore, I think: The sixth of the first movement should be dramatic, with strong contrast, speed should not be too slow; the second movement is more lyrical, not too fast; third movement can not be too fast, a 54 year-old old man, should not protest too; the fourth movement should be slower compared with the strong, the final phrase should really despair. Well, next we compared Karajan directing the Berlin Philharmonic with Eugene. Ormandy Philadelphia, two versions of the command. The first movement, in Philadelphia for 18 points, while Karajan's was 18 minutes 22 seconds, only possession of only 22 seconds more, but the weakening of a sense of drama that can listen to them at the same time, people of Germany so that the band has always been less stringent放得开Philadelphia, which has also weakened the performance of the band edge, where karaoke Yang lost the one. The second movement, Karajan version 9 minutes 2 seconds, and Philadelphia for 8 minutes and 14 seconds, where Karajan is lyric-oriented, whereas Ormandy focused on singing, and here a slight Karajan a small victory, but before that I enjoy singing老柴, so instead enjoy Philadelphia. The third movement, Karajan is 8 minutes 26 seconds, and Ormandy are 9 minutes and 18 seconds, may be used to play works by Beethoven are the third movement at the hands of karaoke Yang become very powerful, and in the hands Ormandy Some are a little weak, before the young writer, enjoy karaoke Yang of the movement, now appears that Ormandy wins. The fourth movement, Ormandy are 10 minutes and 55 seconds, and Karajan are 9 minutes and 53 seconds, much faster than a lot of that this movement of despair at the hands of karaoke Yang are not thorough, and Ormandy start at 1 grasped you, it is a deep despair, the last movement in the bass disappeared after a long time you should not let down their own feelings. That is why I will keep pushing at the above version of the reasons for Philadelphia. Germany can not understand that people are feeling (or not deeply understood), while the same for Eastern Europe and老柴Ormandy of people understand better. As Bernstein American movement in the fourth did not fully demonstrate老柴of despair, his speed between karaoke between Yang and Ormandy. As for recording, listening to karaoke Yang are used in CD, natural sound quality than a good tape Ormandy, and CD voice of hair is also very hard impact on the understanding of the author (no way, my bad audio). If the LP is better, I do not know. Well, after listening to heavy VI. Below to listen to a relaxed "Italian Capriccio", compared to a hearing, this comparison is the karaoke version and Ormandy Yang version. In general, firewood blame his book Writing the mood is relaxed and happy - at the time coincided with the Italian Carnival, and also is in老柴proud, the still enjoying exotic (envy, envy). Therefore, this works to reflect any老柴convergence and melancholy side are we opposed to the (students with me shouted: Down with a heavy Italian Capriccio!). Here, the Philadelphia Orchestra to the sixth one in the dark tone of "voice of the Philadelphia" unique gorgeous brilliant brilliant and bright tone, relaxed performance of the Italian people's carnival mood, some singing and dancing are true feelings. At this老柴works to mobilize the entire band to the performance of various colors, and Philadelphia a good interpretation of the film. Recording them, Sony recording of the band may be some exaggeration of color, so that triangle with the bell sound quality has been a very good performance (to say the obvious, I have not heard this version more than the loud and brilliant of the triangle with the bell). In contrast, Yang karaoke version on the slightly more restrained, did not sound good in Philadelphia. Years later, when I once again come up with was a drop in sound quality can not hear the tape at a value of 180 yuan only a tape recorder on (after a small motorized machine) to listen to when at one of amazed resounding treble. We should know that the same tape on the sixth tone on the dark I do not know gone. I so strongly to the general fans keep pushing Ormandy's version! Definitely a good version, really trip home, homicide (audio) more of the essential goods good CD! ! In talking about this I have to say, a school, the next lesson we continue to talk about. Hey, Hey, not to copy my explanation, what, you bring it home listened go look (please, not to so worship me, I would think not suited:)). And so on, do you have forgotten the lesson I talked about on the famous bar. Penalty, fine copy on famous Jize Hall 1000 times! Ha ha!